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You are at:Home»English»Fashion»Elie Saab brings 1970s jet-set glamor to Paris Haute Couture Week
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Elie Saab brings 1970s jet-set glamor to Paris Haute Couture Week

Nana MediaBy Nana MediaJanuary 28, 20263 Mins Read
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Elie Saab brings 1970s jet-set glamor to Paris Haute Couture Week
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Introduction to Elie Saab’s Spring/Summer 2026 Haute Couture Show

Elie Saab’s Spring/Summer 2026 haute couture show unfolded like a fever dream of lights and music, with the title "Golden Summer Nights of ’71," it was certainly not unexpected. It was a collection steeped in nostalgia, not just for the 1970s jet-set glamor it evoked, but also for Saab’s own beginnings. Born in 1964, Saab founded his Beirut atelier as a teenager in the early 1980s, and this season felt like a return to the spirit of youth – a designer looking back at the era that first shaped his imagination.

The Collection’s Color Palette and Style

The show opened on a moonlit runway, where blush, bronze and warm desert tones dominated the collection. These hues continued the color trends that have defined this couture week, with melted gold, rich chocolate brown and delicate rose shimmer under the lights. Accents of lilac and soft sea foam – two of the standout hues of the week – enhanced the warmth. Still, the collection felt overwhelmingly sultry and sunburned, just like it would be in the ’70s. Tight scarves, fringes and open vests were reminiscent of the decade, while deep V-necks, asymmetrical lines, plunging waists and flowing capes gave the silhouettes a modern looseness.

Embellishments and Silhouettes

The shimmer never stopped. Sequins rippled across dresses, crystal cascades cascaded over bodices, and metal mesh caught the light like constellations. Elaborate embroidery was reminiscent of traditional techniques from Beirut and anchored the collection in the founder’s legacy. Columnar skirts created a stiff structure – some were so narrow that it was difficult to walk into them after a model stumbled – reinforcing the feeling that these garments were made for effect first and practicality second.

Freedom and Fantasy in Haute Couture

Like other designers earlier this week, Saab also relied on artificial shapes and cartoon curves. It seems that designers are now offering their customers the opportunity to shape the shapes of their bodies the way they want – rather than conforming to the classic hourglass silhouette that has dominated collections for decades. While some shapes were at times restrictive, they also served as a reminder that haute couture can be as much about freedom as it is about fantasy. Feathers rose from the bodices and swept over the shoulders, reflecting a detail seen throughout the week.

The Finale and Overall Style

The finale delivered everything it promised. The bride emerged from the darkness in a soft beige-pink slip dress interwoven with lace and embroidered with stones. A jeweled, thorn-like crown dripping with gold framed her face, while a floor-length train trailed as light as air behind her. She looked ethereal – like an image entirely out of myth. With minimal makeup, no flashy jewelry, and gently tousled hair, the looks exuded an understated sensuality. This simple style balances the opulence of the clothing, softening even the most elaborate creations and allowing their craftsmanship to take center stage.

Beirut Beirut (band) Cape Color Crown Crystal Cascades Elie Saab Fashion show Fever Gemstone Haute couture Hourglass figure Jet set Jewellery Lace Lightness Mad Men (season 2) Slip dress Termination of employment
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