Introduction to Kerry James Marshall’s Art
Kerry James Marshall is a renowned artist known for his vibrant and thought-provoking paintings. His artwork, "School of Beauty, School of Culture," is a masterpiece that showcases his unique style and ability to blend different references and themes. The painting is filled with allusions to art history, contemporary black culture, and personal experiences, making it a fascinating piece to explore.
Art Historical References
Marshall’s "School of Beauty, School of Culture" contains deliberate references to famous artworks, such as Jan van Eyck’s "The Arnolfini Portrait" (1434) and Diego Velázquez’s "Las Meninas" (1656). These paintings are known for their use of reflection and mirrors, which Marshall incorporates into his own work. In his painting, a mirror reveals the photographer’s camera, adding a new layer of meaning to the scene. Marshall’s use of these references is intentional, and he wants viewers to recognize the connections between his work and the art historical context.
Contemporary Black Culture
The painting is also filled with references to contemporary black culture, including a signed poster by Lauryn Hill and another for the artist Chris Ofili’s 2010 Tate Britain show. Marshall is a fan of Ofili’s work, which he believes operates at the highest level of artistry. The inclusion of these references highlights Marshall’s connection to the black community and his desire to celebrate its culture and achievements. By combining art historical references with contemporary black culture, Marshall creates a unique and powerful visual language.
The Significance of Black Figures
One of the most striking features of "School of Beauty, School of Culture" is the use of deep black tones to paint the figures. This intentional choice is meant to make viewers think about the presence of black people in large-scale paintings, a topic that was often overlooked in the past. In the 1960s and 1970s, the term "black" with a capital "B" became a symbol of identity and self-empowerment. Marshall’s decision to paint black figures in his work is a deliberate nod to this movement and a celebration of black identity.
Marshall’s Genius
According to curator Godfrey, Marshall’s genius lies in his ability to combine different references and themes in his work. Marshall is a painter who is deeply rooted in art history, but he is also a person who listens to great music and is aware of the world around him. This unique blend of references and experiences makes his paintings rich, complex, and layered. By exploring Marshall’s work, viewers can gain a deeper understanding of the artist’s vision and the cultural context in which he creates.
