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You are at:Home»Film & TV»“The wizard of the Kremlin” feels very far from the one I am “
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“The wizard of the Kremlin” feels very far from the one I am “

Nana MediaBy Nana MediaAugust 31, 20253 Mins Read
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“The wizard of the Kremlin” feels very far from the one I am “
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Introduction to Paul Dano’s New Film

Paul Dano has finally spoken about his new film, "The Wizard of the Kremlin", in his first interview with The Hollywood Reporter. The American star will soon present the political thriller at the Venice Film Festival, marking his debut at the event. The film is directed by Olivier Assayas, a French filmmaker known for his work on films like "Something in the Air" and "Personal Shopper".

Working with Olivier Assayas

Dano praises Assayas as "a violently intelligent person" and expresses his admiration for the director’s previous work, particularly the five-and-a-half-hour TV show/film hybrid project "Carlos". He notes that knowing the scope of Assayas’ work was helpful when reading the script for "The Wizard of the Kremlin", which he found to be "lean and spare". Dano was immediately drawn to the project, feeling that it was the kind of work that would challenge him as an actor.

The Film’s Plot and Characters

In "The Wizard of the Kremlin", Dano plays the role of Vadim Baranov, a fictional character based on Giuliano da Empoli’s novel. Baranov is a theater director and reality TV producer who becomes a politician and influences a middle-aged Vladimir Putin. The film explores the inner workings of the Russian court in Moscow and delves into the psychological and moral complexities of the characters. Dano notes that the book was "incredibly illuminating" and provided a window into a world of politics and power that he knew little about.

The Significance of the Film’s Themes

Dano believes that the film’s themes are particularly relevant in today’s world, where the concept of "post-truth" has become a part of our lexicon. He feels that the film offers a unique perspective on the creation and maintenance of a post-truth landscape, where politicians play a significant role in shaping public opinion. Dano also notes that the film’s exploration of the theater of power, control of optics and information, and the extinguishing of truth is both fascinating and unsettling.

Preparing for the Role

To prepare for his role, Dano read extensively about the topic, watching documentaries and reading books to get up to speed. He worked closely with Assayas to create a character that they were both satisfied with. Dano’s portrayal of Baranov is quietly spoken and tacit, which he found to be a departure from his usual acting style. He notes that playing Baranov was like discovering a new part of himself, one that was forced to confront his relationship with power.

The Film’s Relevance to Current Events

Dano acknowledges that the film’s release comes at a time when democracy in the West feels precarious, much like in Russia. He hopes that the film will provoke thought and discussion, and that it will move people in some way. Dano believes that the film’s exploration of authoritarianism and the dangers of unchecked power is particularly relevant in today’s world, where we are "scratching at the door" of similar systems. He notes that we must be careful and mindful of the consequences of our actions, and that the film offers a timely warning about the importance of protecting democracy and truth.

Authoritarianism Cinema of France Concept Empolis Filmmaking Moscow Olivier Assayas Paul Dano Personal Shopper Post-truth politics Russian Empire Something in the Air (2012 film) The Hollywood Reporter The Wizard of the Kremlin Thriller (genre) Venice Film Festival Vladimir Putin
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