Introduction to Writing About Illness
How can we write about our illnesses? Al-Mutanabbi has always left us unless others are left behind; His poem when describing the fever was a different lesson, with him, his poem with an orphan. Nobody after him had "said" poems at the moment of the "fever" to transform them into suffering and a great human confrontation with the disease. Siyab can be the second Arabic poet in the poetic letter, which is unique for the emergency of the disease, which leads to inevitable death.
The Narrative of Disease
Pictures of the sick Sayyab in "Ayoub Book" can exceed the patient’s logic and his unique pictures in his super count, and there is no doubt as it appears in the poetry of Al-Mutanabbi; Fever remains a "temporary" or "symptom" for the disease, but it is not the same disease. This is radically different from the narrative of the disease in the poem "The Book of Ayoub"; The disease opens here for the ordeal of death and the questions of all existence. We can say that the narrative of the disease in the poetry of Al-Sayyab is an early formula, as we assume that it was famous for the title itself with "Krebs" or "The Tragedies Emperor" in his book, famous for the title.
Cancer as a Proposed Biography
Cancer is a proposed biography. Al-Nationsiri recovers the first moment of terror, which is the same moment of knowledge of the disease and its awareness of how the border between the past and what is left. Therefore, he is not dependent on this moment with silence and hiding place, but tries to confront it by recognizing him first and his resistance when writing. The option of the confrontation lies in front of a "torture" in which the paths to confrontation decide, of which the most important of them write. But what kind of letter can the nightmare of "Krebs" withstand? For similar global and Arabic experiences that some of them show, al-Nachiri notes that the hypothesis of the "choice" or "selection" is a luxury that does not exist in its condition.
The Choice of Writing
Perhaps it is more correct to say that it is "luxury" that has no value and has no weight before a big "narrative" called "cancer". There is nothing more than a single and only possibility that the "life" of cancer in all its cases, his suffering and tyranny, so only "selection", what the cancer itself imposes on it and its surroundings. In short, you have to live "cancer" while your day life lives. It has become the rest of her life. Is "philosophy" in the presence of cancer because many make fun of similar cases? In fact, there is no greater philosophy besides the philosophy of cancer itself; He is the one who decides and he is the one who imposes a "resistance" method for us, namely their history, their career in view of the horror of cancer.
The Diary as a Literary Device
The diary is not an option, but it is the only way to be available for a torture called "Resistance" of cancer. Everyone who has cancer "resistance" only did that they wrote their "biography" and their stories with him. Is there a narrative "literary" paradox that is behind the choice of "diary" technology to write certain novels whose topic was "cancer"? I claim that the logic of totalitarian cancer does not allow the luxury of different options even in the case of a literary story, but there is an intended "impression" of the cancer narrative. That the intended "novel" takes over the technology of "diaries".
Examples of Cancer Diaries
The famous Russian writer Alexander Solginitsin did this in his famous novel "The Cancer Pavilion". It is a question of many books written by his authors in the form of diary and told their experiences in the "resistance" of the disease. Suzan Sonag, the most famous of them on a global level: "The disease is borrowed." In Arab culture, the matter was repeated in many books, including the book "Diaries of the Death of Death" by the Moroccan writer Mohamed Khair al-Din, in which he wrote his diaries with cancer. And the last section of the book "About Memory and Death: Saad Allah and Nous" with the title "A journey into the effects of the temporary death". We can talk about the biography of the well-known Egyptian writer Radwa Ashour "harder than Radwa". And the book "Al-South", Abla al-Ruwain, about the biography of her husband, the well-known Egyptian poet Amal Dunqul. Maybe the last is the book "I come, light/muhammad aboul tune". The Buch Nasseri does not deviate from the predecessor; This is the decision about cancer for his victims; To testify and live and his pain for a moment and then a moment, one day.
The Memory of Cancer
In "Just Time and Will GO", several stories and questions are composed in their entirety, which can be referred to as a memory of the text itself or its sources. Originally there is the memory of Al-Stereiri itself with its troubled stories, and there is no doubt about the narrative of cancer itself. I think here that only the story of the memory is what the narrative of this disease has allowed. But "Cancer Diaries" overflow the scene with somewhat different materials and formulations; Cancer here is more technology than a total narrative. Why don’t I say that there is a steady exaggeration in the book between the cancer nail books and its technology? In fact, the diaries occupy cancer, and it is imposed in a similar way to its authority.
The Power of the Diary
We touch this exciting communication between you from the title "Just a time and will be over … cancer hyaries". The title indicates an early impulsion against "cancer". It is purely "time" and "wants to go" inevitably. This initial interpretation corresponds to the delay "Why don’t I say (contempt)?" Cancer and his narrative by making it a subtitle while the main title is the victory of all of life; It is a "time" or a time clip and will go to its condition while the whole life remains for the patient. I assume that supposed address ads are one of the possible resistance strategies. But it is an early wording of the patient’s history with the horror of the disease. As if the title wants to pay us a story or a biographical novel. And I pay here that the title wants to provide us with the imagination of the imaginary narrative biography; To assume that it is pure imagination and "Will Go", like any imaginary history or "novel" that we find in a book and read it, let’s leave them in a corner of the house or in the library or even on the side of the way. It is a fictional novel we like, but it is not about our lives and does not determine our fate. Here we have a text that wants to adhere to the imaginative literary origins, for example, that it is his duty to recognize "cancer"; Al-Nationsiri is never embarrassing when the incidence of a serious illness is announced. This detection is an inherent part of the "idea of the disease. Designed by the diaries. "Successful, and maybe there is no value in the context of the narrative of the text. To devote some of his skills. What is important. Radical and comprehensive review of the past and their sins creates and urges those affected to sublimate all hatred and hatred.
