Fashion Show Review

The spectacle martens stated the feet in the world in which we live today. Yes, the models carried masks, just like the models in the manual shows by founder Martin Margiela, the plastic covers that from Martin’s Degree Show resembled when he was in Antwerp, and the corsets reminded Galliano. But this time the masks did not make sure that attention focused on clothing when Martin Margiela began when he started in 1989. Instead, they completed the feeling of darkness and anarchy in the economical fabrics, the draped metallic fabrics, the diving-colored nails and the feathers.

Design Elements

The use of masks, economical fabrics, and draped metallic fabrics created a sense of darkness and anarchy. The diving-colored nails and feathers added to the overall aesthetic of the collection. The models’ outfits were a reflection of the world we live in today, with a mix of modern and archival elements.

Reaction to the Show

"It was explosive and loud is loud. But maybe what the world needs is," concluded one observer. The show was a reflection of our fear, and it was very emotional. It made some participants think of the Archive-Margiela pieces, but it is a modern collection. Millennials, who grew up in a world that opened up while they were still young, found the show to be particularly impactful.

Overall Impression

The collection was a beautiful and modern reflection of our times. It was a mix of archival and new elements, creating a sense of darkness and anarchy. The use of masks, economical fabrics, and draped metallic fabrics added to the overall aesthetic of the collection, making it a memorable and impactful show.