Introduction to Talal Haider’s Poetry
The most difficult thing about writing about Talal Haider is that you cannot control him in a state of calm or in a fixed position so that you can arrest its characteristics. It appears in the form of a hurricane at the time, and at another time it appears in its wisdom and is spared like a cave in itself and it appears in a third sunrise and a floor as a lamp of the Bekaa Valley.
The Poetic Experience
Talal Haider’s poetic experience is based on a group of factors that he did not have to take in the leadership of the leadership in the spoken Lebanese made the way. And when the hair from some of his faces is one of the manifestations of the place and its symbolic expressions, then the imagination of the owner of the "Bayaa al-zaman" was based on huge stadiums, the picturesque back of which is formed from the two high-ris mountains and two rivers by Muttafi al-Maraqi.
Childhood and Poetry
While there is no rich poetry without a rich childhood, as Bachelard says, Talal knew how he transforms his childhood into a successful picture and metaphor trap, and how his five senses are trained in order to track down the volatile phenomena of nature, the movement of the earth, the winds to inspect the winds in their openings, and the solar sticks in the first outbreaks in the first break in their religion.
Social and Cultural Progress
We may not lose sight of the distinctive experience of the valley in the event of the state of social and cultural progress, which the Lebanon observed after the middle of the last century, since the young Bekaa, who comes to Beirut, to recognize the era of the Golden City, and in order to use the tradition of tradition and the Leanse capital dazzle and the Leanse dose of the muck.
Influence of Modernity
Talal also followed the advent of "poetry" magazine and accompanied his founding pioneers, who took part in his weekly meetings, and at the same time with the start of the Baalbek International Festivals and with the founding texts by Saeed Aqel, Michel Trad and the two brothers Rahbani. Thanks to his careful work to educate himself, and his tireless willingness to diversify his literary, artistic and philosophical readings, the adventurous poet managed to overcome the prevailing Zajal government during this time, based on spelling, praise and verbal designs, to express the spoken poem in the direction of express and visual Areas and unmanned.
Contribution to Arabic Poetry
Indeed, What Talal Added to the Arabic Poetry is not limited to Its Importance in Proving the Ability of the Spoken Poem to Match the Classical, Its Rival in the Field of Imagination, and Taking Sudden Metaphorical Images in Its Depth and Part Of Its Part, But Rather in Its Continuous Tracking of Folklore and folklore, and for the songs of the Shepherds, and the country of the country, all the way to the Islamic spirit that a child drinks and prevail, diaspora in the aspects of the levant and her valleys.
Unique Style
Talal Haider, who delivered his experience with what the Arab deserts saved in their flame sand of the thrombosis, iris arches, buttocks and noises, did not remain the raw materials that he grabbed from these places in their raw picture, but reproduced them differently using the method of reduction, coded gesture, the gesture that is worth a value and the Amazhetic Cla-Asthtic, That on the armpits and the degree of aristocracy of the two, and the respect. Landscape. Perhaps what Talal has done in the spoken language is very similar to what the Spanish poet Garcia Lorca, who answered the doors of Andalusia and the goal of the four Spain, in search of the legacy of his oral predecessors and the forms of the popular and folklore printout, from which he quoted his characteristic collection.
The Power of Nature
And Because Haider was Known for his sound nature and his sharp intelligence that the great poetry is not produced by cold authorship factories, nor the arbitrary designs of the mind, and that it does not come from the from the vocabulary themules, but from its contact with the real world, and the real Senses Open, it has rushed to life with its enttire “Fierce”, Its Madness, and Its Lustful Tears, and it is not careful. For this reason, it seemed to be written by a very unique mix of verbal reduction, the certificate and scratches near the art of Arabesque, and the CT scans near the arts of cinema and the formation, as in the verses such as "Halm Omar Jafla Faris" or "Sweet, like the Arab.
The Fascination with Femininity
As for the fascination of the poet for femininity, he was not only caused by his overcrowding with wishes or excessive bonding with women, but because in femininity it saw a symbol of cosmic beauty, life in its pink formula and the poem in his conquest. This is how we get to know him with the mighty women who keep the collective ideas, while their beauty as old letters is browned over the murals of the stupid time. In contrast to the bow, bent, his horse has become a goal.
Inspiration from Ancient Sources
Talal found no embarrassment to benefit from the mother sources of the texts of love and worship, be it about the hair of the numbers and the panels, which were left behind by the civilizations of the Sumerians, the Babylonians and the Pharaons or those who used them with books, verses and their own stories. This seems to be clear in the poet’s saying: "The sheep of the goat with the mountain of apples", which is inspired by the expression "her hair as a goat from the mountain of Gilad", which is mentioned in: "The hymn of the songs".
The Language as a Third Hypostasis
And if the valley does not stop ending the orientation between its fragmentation with the magic of the woman and his parallel flare with the magic of the desert place, it makes the same language the third hypostasis of this orientation, in particular the formula of Muthanna, which he no longer used in one of his poems in one of his poems. Cardamom came from Yemen, states the cheeks, but the bathroom of the island is closed with fear of an accident about Najid, and I touched her repentance from the sun, which stayed above the sand for two years, and the sand does not ask the desert with flashing and clear.
Transformation into Songs
Many texts by Talal Haider became known songs, which were often often of throats from singers and singers. It was not a coincidence that many texts of Talal Haider would gymnown songs that frequently throats from singers and singers, Such as Fayrouz, Sabah, Wadih al-safi, and marsal khalifa, but rather the matter is due to the contradiction of thesis with the must That is established in the arab memory of the Spectra of Times, and the Lost Places, and with the Burial Reversions of the Collective Childhood.
Nostalgia and Grief
Talal’s celebration of the joys of life, his actions and its interesting moments, however, should not distract us as a consideration for the rumors about the tone of the detention and the nostalgic grief, which results from the loss of the joys of life, change in conditions and aging of the years. And when we see shadows of this detention and grief in many texts by Talal Haider, it appears in his influential poem "Halnan Hayan", in which he says: "Where are my family? Where is the mill of mourning, my brother, my brother, the Zaghir? Where a sleep in a bed, where the two hands, the laundry, in the hands of the stomach.
