{"id":20381,"date":"2025-08-25T08:20:10","date_gmt":"2025-08-25T08:20:10","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/08\/25\/john-wick-action-maestro-jj-perry-brings-hollywood-heat-to-yashs-giftig-with-all-indian-stunt-squad-we-are-here-to-put-on-borders-exclusive\/"},"modified":"2025-08-25T08:20:12","modified_gmt":"2025-08-25T08:20:12","slug":"john-wick-action-maestro-jj-perry-brings-hollywood-heat-to-yashs-giftig-with-all-indian-stunt-squad-we-are-here-to-put-on-borders-exclusive","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/08\/25\/john-wick-action-maestro-jj-perry-brings-hollywood-heat-to-yashs-giftig-with-all-indian-stunt-squad-we-are-here-to-put-on-borders-exclusive\/","title":{"rendered":"&#8216;John Wick&#8217; Action Maestro JJ Perry brings Hollywood Heat to Yashs&#8217; Giftig &#8216;with All-Indian Stunt Squad:&#8217; We are here to put on borders (exclusive)"},"content":{"rendered":"<h2>Introduction to a New Level of Action<\/h2>\n<p>While most productions in Mumbai would tone down the action, the creators of &quot;Toxic: a fairy tale for adults&quot; are doing the opposite &#8211; leaning into the chaos, which has so far been advertised as one of the wildest action-packed works in Indian cinema.<\/p>\n<h2>The Mastermind Behind the Action<\/h2>\n<p>At the center of this creative storm is JJ Perry, the Hollywood action architect behind the bone-crunching choreography of &quot;John Wick&quot; and &quot;Fast &amp; Furious&quot;. The stunt veteran is currently deep in a 45-day action marathon that redefines the game book for Indian cinema spectacle. What&#8217;s more, Perry, who usually compiles international dream teams of stunt specialists, has chosen to work with a completely Indian crew this time, after experiencing their skills firsthand.<\/p>\n<h2>A World-Class Indian Crew<\/h2>\n<p>&quot;This Indian crew is world-class. That&#8217;s why I decided to work with them,&quot; says Perry. &quot;We have a great sequence right now, and I am super enthusiastic about tackling this. It&#8217;s a challenge, but I love a big challenge &#8211; and this team hits you head-on.&quot; The currently highly anticipated sequence in production is the high point of months of meticulous pre-production work between Perry, superstar Yash (who also produces), director Geetu Mohaandas, VFX House DNEG, and producer Venkat K. Narayana.<\/p>\n<h2>Preparing for the Big Scene<\/h2>\n<p>The preparatory work reads like a masterclass in modern action filmmaking: extensive storyboarding, concise sessions, tactical samples, and creative pow-wows that aim to create an action language described by the production as &quot;immersive, visceral, and new in Indian cinema&quot;. The Yash-Narayana combine has unlocked the massive war treasury necessary to start one of the most ambitious Indian projects recently.<\/p>\n<h2>A New Genre Spectacle<\/h2>\n<p>&quot;Toxic&quot; positions itself as a genre spectacle that marries Perry&#8217;s secret sensitivity with Yash&#8217;s cash magnetism and Mohaandas&#8217; unmistakable auteur vision. After the &quot;KGF&quot; franchise, Yash is hot, as is Mohaandas after the Sundance title &quot;Liar&#8217;s Dice&quot; and the Toronto selection &quot;Moopon&quot;. However, the filmmakers aim to elicit an emotional response that exceeds the visual fireworks.<\/p>\n<h2>A Fan of Indian Cinema<\/h2>\n<p>&quot;I worked in 39 countries in my 35 years. I am a fan of Indian cinema &#8211; it is creative, artistic, and brave,&quot; says Perry. &quot;Having the chance to work with Yash, Geetu, Venkat, and her incredible team was a highlight. Geetu has a great vision, and everyone, from the cameraman Rajeev Ravi to the production designer and the art team, was fantastic.&quot;<\/p>\n<h2>A Global Piece<\/h2>\n<p>The Mumbai shoot marks another industry first: &quot;Toxic&quot; is being made in both Kannada and English languages &#8211; a bilingual approach that is rare for a project of this size &#8211; with additional synchronized versions in Hindi, Telugu, Tamil, and Malayalam. The strategy not only positions the film as a Pan-Indian event but as a legitimate global piece.<\/p>\n<h2>Combining Global Grammar with Indian Storytelling<\/h2>\n<p>&quot;India&#8217;s culture is old, rich, and layered. As an American, whose culture is only a few hundred years old, it is very exciting to come here and combine the global cinematic grammar with Indian storytelling,&quot; notes Perry. &quot;I don&#8217;t just want to repeat what was done &#8211; I want to create something unique. And &#8216;Toxic&#8217; gives me this chance.&quot; The film is being produced by Venkat K. Narayana and Yash under KVN Productions and Monster Mind Creation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction to a New Level of Action While most productions in Mumbai would tone down the action, the creators of &quot;Toxic: a fairy tale for adults&quot; are doing the opposite &#8211; leaning into the chaos, which has so far been advertised as one of the wildest action-packed works in Indian cinema. The Mastermind Behind the<\/p>\n","protected":false},"author":1,"featured_media":20382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[2363,353,2362,2364,2372,2358,2371,2368,2367,2375,2361,2370,2369,2366,2360,2374,2373,485,2365,2359],"class_list":{"0":"post-20381","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-cinema-of-india","9":"tag-cinema-of-the-united-states","10":"tag-fairy-tale","11":"tag-fast-furious","12":"tag-hindi","13":"tag-john-wick-film","14":"tag-kannada","15":"tag-liars-dice","16":"tag-magnetism","17":"tag-malayalam","18":"tag-mumbai","19":"tag-production-designer","20":"tag-rajeev-ravi","21":"tag-storyboard","22":"tag-stunt-squad","23":"tag-tamil-language","24":"tag-telugu-language","25":"tag-toronto","26":"tag-yash-actor","27":"tag-zeit-rammstein-album"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/20381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=20381"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/20381\/revisions"}],"predecessor-version":[{"id":20383,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/20381\/revisions\/20383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/20382"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=20381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=20381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=20381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}