{"id":17870,"date":"2025-07-29T13:24:40","date_gmt":"2025-07-29T13:24:40","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/07\/29\/spotify-boosts-number-of-subscribers-to-276-million-in-the-second-quarter-the-revenue-goal-and-fluctuates-into-net-loss\/"},"modified":"2025-07-29T13:24:41","modified_gmt":"2025-07-29T13:24:41","slug":"spotify-boosts-number-of-subscribers-to-276-million-in-the-second-quarter-the-revenue-goal-and-fluctuates-into-net-loss","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/07\/29\/spotify-boosts-number-of-subscribers-to-276-million-in-the-second-quarter-the-revenue-goal-and-fluctuates-into-net-loss\/","title":{"rendered":"Spotify Boost&#8217;s number of subscribers to 276 million in the second quarter, the revenue goal and fluctuates into net loss"},"content":{"rendered":"<h2>Spotify&#8217;s Q2 Performance: A Mixed Bag<\/h2>\n<p>Spotify reported solid profit to paid subscribers and overall users for the second quarter of 2025, but the streamer had the sales target short and recorded a net loss for this period. The company emphasized the positive, highlighting a 30% increase in net additions for subscribers in the first half of 2025 compared to the same period in 2024.<\/p>\n<h2>User Growth and Revenue<\/h2>\n<p>The quarter marked the company&#8217;s second-highest quarter for monthly active user net additions. Spotify Premium subscribers rose by 12% to 276 million compared to the previous year, with a net gain of 8 million in the quarter. The total number of monthly active users (MAU) increased by 11% to 696 million. Spotify expects robust growth in subscribers and MAU in the third quarter.<\/p>\n<h3>Financial Performance<\/h3>\n<p>The total revenue for the second quarter rose by 10% to \u20ac4.2 billion, and the gross margin improved to 31.5% compared to 29.2% in the previous year. However, this was short of Spotify&#8217;s instructions for Q2 metrics. In June 2025, Spotify recorded a net loss of \u20ac86 million, compared to a net profit of \u20ac274 million in the previous year.<\/p>\n<h3>Operating Costs and Financing<\/h3>\n<p>Operating costs rose by 8% in the last quarter, mainly due to an increase in staff, professional services, and marketing expenses. The net financing costs for the second quarter of 2025 were \u20ac358 million, compared to a net financing result of \u20ac4 million in the previous year.<\/p>\n<h2>CEO&#8217;s Comments<\/h2>\n<p>&quot;Due to the more constant development, we are creating more and more value for the almost 700 million people who use our platform,&quot; said Daniel Ek, founder and CEO of Spotify. &quot;This value not only benefits users, but also more people for streaming. As a result, it also increases the industries of music, podcasts, and audio books.&quot;<\/p>\n<h2>Outlook and Expectations<\/h2>\n<p>For the third quarter of 2025, Spotify expects total revenue of \u20ac4.2 billion, paid subscribers of 281 million, and a total of 710 million MAU. The company also expects a gross margin of 31.1% and an operating result of \u20ac485 million.<\/p>\n<h3>Content Offerings and Employee Base<\/h3>\n<p>Spotify is now organizing around 7 million podcast titles and over 430,000 video podcast shows. The company offers more than 350,000 audio books for purchase. At the end of the second quarter, Spotify had 7,309 full-time employees worldwide, compared to 7,261 at the end of 2024, but down from 9,123 at the end of 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spotify&#8217;s Q2 Performance: A Mixed Bag Spotify reported solid profit to paid subscribers and overall users for the second quarter of 2025, but the streamer had the sales target short and recorded a net loss for this period. The company emphasized the positive, highlighting a 30% increase in net additions for subscribers in the first<\/p>\n","protected":false},"author":1,"featured_media":17871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":{"0":"post-17870","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/17870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=17870"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/17870\/revisions"}],"predecessor-version":[{"id":17872,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/17870\/revisions\/17872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/17871"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=17870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=17870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=17870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}