{"id":14531,"date":"2025-06-25T22:16:44","date_gmt":"2025-06-25T22:16:44","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/06\/25\/daisy-edgar-jones-to-play-in-georgia-oakleys-meaning-and-sensitivity-for-the-working-title-focus-functions\/"},"modified":"2025-06-25T22:16:45","modified_gmt":"2025-06-25T22:16:45","slug":"daisy-edgar-jones-to-play-in-georgia-oakleys-meaning-and-sensitivity-for-the-working-title-focus-functions","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/06\/25\/daisy-edgar-jones-to-play-in-georgia-oakleys-meaning-and-sensitivity-for-the-working-title-focus-functions\/","title":{"rendered":"Daisy Edgar-Jones to play in Georgia Oakley&#8217;s &#8220;meaning and sensitivity&#8221; for the working title, focus functions"},"content":{"rendered":"<h2>Introduction to a New Adaptation<\/h2>\n<p>Georgia Oakley has registered to direct a feature version of Jane Austen&#8217;s novel, with Daisy Edgar-Jones set to star. The production, which is a Working Title Films and Focus Features collaboration, is slated to begin in Great Britain next month.<\/p>\n<h2>The Filmmaker&#8217;s Background<\/h2>\n<p>This film will serve as Oakley&#8217;s follow-up to her debut feature, <em>Blue Jean<\/em>, which premiered in Venice Giornate Degli Authori in 2022. <em>Blue Jean<\/em> won the People&#8217;s Choice Award, four British Independent Film Awards (BIFA), and received a BAFTA nomination for outstanding British debut.<\/p>\n<h2>The Script and Production Team<\/h2>\n<p>The script is being written by Australian author Diana Reid, known for her novels <em>Signs of Damage<\/em>, <em>See Other People<\/em>, and <em>Love &amp; Virtue<\/em>. The film is being produced by Tim Bevan and Eric Fellner of Working Title, alongside India Flint of November Pictures and Jo Wallett.<\/p>\n<h2>The Story<\/h2>\n<p><em>Sension and Sensibility<\/em> follows the lives of two sisters, Elinor and Marianne Dashwood, as they navigate love, loss, and financial uncertainty amidst the social expectations of 18th-century England. Daisy Edgar-Jones will play the role of Elinor.<\/p>\n<h2>Previous Adaptations<\/h2>\n<p>The last notable feature adaptation of <em>Sension and Sensibility<\/em> was Ang Lee&#8217;s 1995 film, starring Kate Winslet and Emma Thompson. The film, distributed by Sony Pictures, grossed $135 million worldwide and earned seven Oscar nominations, with Emma Thompson winning for Best Adapted Screenplay.<\/p>\n<h2>Collaborations and Casting<\/h2>\n<p>Focus Features and Working Title have previously collaborated on Joe Wright&#8217;s 2005 adaptation of <em>Pride &amp; Prejudice<\/em> and Autumn de Wilde&#8217;s 2020 adaptation of <em>Emma<\/em>. Daisy Edgar-Jones, a former <em>Screen<\/em> Star of Tomorrow (2020), has credits including <em>Normal People<\/em>, <em>Pond Life<\/em>, and the <em>War of the Worlds<\/em> series.<\/p>\n<h2>Upcoming Productions<\/h2>\n<p>Netflix&#8217;s serial adaptation of Austen&#8217;s <em>Pride &amp; Prejudice<\/em> is also set to start production in Great Britain next month, marking an exciting time for fans of Austen&#8217;s works.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction to a New Adaptation Georgia Oakley has registered to direct a feature version of Jane Austen&#8217;s novel, with Daisy Edgar-Jones set to star. The production, which is a Working Title Films and Focus Features collaboration, is slated to begin in Great Britain next month. The Filmmaker&#8217;s Background This film will serve as Oakley&#8217;s follow-up<\/p>\n","protected":false},"author":1,"featured_media":14532,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":{"0":"post-14531","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/14531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=14531"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/14531\/revisions"}],"predecessor-version":[{"id":14533,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/14531\/revisions\/14533"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/14532"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=14531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=14531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=14531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}