{"id":10952,"date":"2025-05-20T09:04:00","date_gmt":"2025-05-20T09:04:00","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/05\/20\/the-constant-cannes-market-is-waiting-for-the-arrival-of-large-offers\/"},"modified":"2025-05-20T09:04:01","modified_gmt":"2025-05-20T09:04:01","slug":"the-constant-cannes-market-is-waiting-for-the-arrival-of-large-offers","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/05\/20\/the-constant-cannes-market-is-waiting-for-the-arrival-of-large-offers\/","title":{"rendered":"The constant Cannes market is waiting for the arrival of large offers"},"content":{"rendered":"<h2>Business as Usual in Cannes<\/h2>\n<p>Despite initial concerns about the impact of Donald Trump&#8217;s tariff threats, the Cannes market has seen a steady flow of business, with buyers and sellers reporting a constant stream of deals. Sellers have brought around 140 packages to the Croisette this year, with prices for bigger titles remaining high.<\/p>\n<h3>Big Deals and High Prices<\/h3>\n<p>Lionsgate has reportedly sold the rights to &quot;The Hunger Games: Sunrise&quot; to Germany for $25 million, with production set to start this summer. A24 has also enjoyed a strong reaction to its heavy-hitters, including Edward Berger&#8217;s mystery thriller &quot;The Drivers&quot; starring Brad Pitt and Kristoffer Borgli&#8217;s romance drama starring Zendaya and Robert Pattinson.<\/p>\n<h3>Market Slowdown<\/h3>\n<p>However, the big deals may be slowing down the rest of the market. &quot;Buyers are waiting to hear back on the big things, so they&#8217;re holding back on offering on some of the mid-sized things,&quot; says Sarah Lebutsch, SVP of sales and distribution at Protagonist Pictures. &quot;The market is by no means done. It will be very busy again.&quot;<\/p>\n<h3>Horror and Animation on the Rise<\/h3>\n<p>Zygi Kamasa of True Brit has found a robust contingent of around 10 British projects, contributing to a market with &quot;very high energy.&quot; He has picked up &quot;Rapture&quot; and &quot;Crawl&quot; and notes that &quot;horror is a great business with theaters.&quot; Fabien Westerhoff of Global Constellation has made a four-picture deal with the director of &quot;Lucky Lu&quot; and reports &quot;good pre-sales on the larger budget CG animated films.&quot;<\/p>\n<h3>Shift in Russian Buyers&#8217; Behavior<\/h3>\n<p>Russian buyers, who have been active in their territory in the absence of Hollywood releases in recent years, have been making lower offers, sensing a thaw in official relations between the US and Russia. &quot;You already expect the studio films to return to the territory, so the need for independent films will probably return to what it was before the war,&quot; says Lebutsch.<\/p>\n<h3>Notable Deals and Festival Selection<\/h3>\n<p>MUBI&#8217;s $24 million purchase of North America and select territories for Lynne Ramsay&#8217;s competition entry &quot;Die, My Love&quot; was a major deal in Cannes. Other sales have closed on festival selection titles, which have been well-received overall. &quot;Noise of the Fall&quot; and &quot;Syrup&quot; are two of the celebrated films in competition, although they have polarized critics and buyers. So far, there has been no standout selection.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Business as Usual in Cannes Despite initial concerns about the impact of Donald Trump&#8217;s tariff threats, the Cannes market has seen a steady flow of business, with buyers and sellers reporting a constant stream of deals. Sellers have brought around 140 packages to the Croisette this year, with prices for bigger titles remaining high. Big<\/p>\n","protected":false},"author":1,"featured_media":10953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":{"0":"post-10952","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=10952"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions"}],"predecessor-version":[{"id":10954,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions\/10954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/10953"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=10952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=10952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=10952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}