{"id":10783,"date":"2025-05-18T15:31:49","date_gmt":"2025-05-18T15:31:49","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/05\/18\/the-my-love-receives-mixed-scores-in-cannes-jury-grid-nouvelle-vagen-lands-third\/"},"modified":"2025-05-18T15:31:50","modified_gmt":"2025-05-18T15:31:50","slug":"the-my-love-receives-mixed-scores-in-cannes-jury-grid-nouvelle-vagen-lands-third","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/05\/18\/the-my-love-receives-mixed-scores-in-cannes-jury-grid-nouvelle-vagen-lands-third\/","title":{"rendered":"&#8220;The, my love&#8221; receives mixed scores in Cannes jury Grid; &#8216;Nouvelle vagen&#8217; lands third"},"content":{"rendered":"<h2>Cannes Film Festival Updates<\/h2>\n<p>The Cannes Film Festival has seen a mix of reactions to the latest films. Lynne Ramsay&#8217;s &quot;Die, My Love&quot; received mixed scores on Screen&#8217;s Cannes jury grid. Other films, such as Richard Linklater&#8217;s &quot;New Wave&quot; and Chie Hayakawa&#8217;s &quot;Renoir&quot;, also made their mark.<\/p>\n<h3>Mixed Reactions to &quot;Die, My Love&quot;<\/h3>\n<p>&quot;Die, My Love&quot; achieved an average of 2.5 stars after ratings were submitted. The ratings ranged from excellent, with 4 stars from Time&#8217;s Stephanie Zacharek, to a zero star, with a bad review from The World&#8217;s Mathieu Macharet. The film features Jennifer Lawrence as a new mother struggling with psychosis, alongside Robert Pattinson, Sissy Spacek, and Lakeith Stanfield.<\/p>\n<h3>Comparison to Previous Films<\/h3>\n<p>The score for &quot;Die, My Love&quot; is similar to Ramsay&#8217;s 2011 film &quot;We Have to Talk About Kevin&quot;. However, it falls short of her 2017 drama &quot;You Were Never Really Here&quot;, which scored 3.1 stars in the jury grid.<\/p>\n<h2>Other Films on the Jury Grid<\/h2>\n<h3>&quot;New Wave&quot; Receives Average Scores<\/h3>\n<p>Richard Linklater&#8217;s French-speaking biopic &quot;New Wave&quot; received an average of 2.7 stars from critics. The film tells the story of the emergence of Jean-Luc Godard&#8217;s 1960 classic &quot;Breathless&quot;. Most critics gave the film two or three stars, while Zacharek gave it a four-star review.<\/p>\n<h3>&quot;Renoir&quot; Gets Mixed Reviews<\/h3>\n<p>Chie Hayakawa&#8217;s Japanese drama &quot;Renoir&quot; also received an average of 2.5 stars. The Guardian&#8217;s Peter Bradshaw gave the coming-of-age drama four stars, but RogerEbert.com&#8217;s Ben Kenigsberg gave it a one-star review.<\/p>\n<h2>Upcoming Films on the Jury Grid<\/h2>\n<p>The next films to be featured on the jury grid will be Adirley Queir\u00f3s&#8217; &quot;The Secret Agent&quot; and Wes Anderson&#8217;s &quot;The French Dispatch&quot; and also &quot;The Phoenician Program&quot; by Wes Anderson. These films are highly anticipated and are expected to make a significant impact on the festival.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cannes Film Festival Updates The Cannes Film Festival has seen a mix of reactions to the latest films. Lynne Ramsay&#8217;s &quot;Die, My Love&quot; received mixed scores on Screen&#8217;s Cannes jury grid. Other films, such as Richard Linklater&#8217;s &quot;New Wave&quot; and Chie Hayakawa&#8217;s &quot;Renoir&quot;, also made their mark. Mixed Reactions to &quot;Die, My Love&quot; &quot;Die, My<\/p>\n","protected":false},"author":1,"featured_media":10784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":{"0":"post-10783","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=10783"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10783\/revisions"}],"predecessor-version":[{"id":10785,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10783\/revisions\/10785"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/10784"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=10783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=10783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=10783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}