{"id":10197,"date":"2025-05-12T17:22:06","date_gmt":"2025-05-12T17:22:06","guid":{"rendered":"https:\/\/nanamedia.org\/en\/2025\/05\/12\/megalopolis-making-of-doc-megadoc-acquired-from-utopia\/"},"modified":"2025-05-12T17:22:08","modified_gmt":"2025-05-12T17:22:08","slug":"megalopolis-making-of-doc-megadoc-acquired-from-utopia","status":"publish","type":"post","link":"https:\/\/nanamedia.org\/en\/2025\/05\/12\/megalopolis-making-of-doc-megadoc-acquired-from-utopia\/","title":{"rendered":"&#8220;Megalopolis&#8221; Making-of-Doc &#8220;Megadoc&#8221; acquired from Utopia"},"content":{"rendered":"<h1>Utopia Acquires Rights to Documentary about Francis Ford Coppola&#8217;s Megalopolis<\/h1>\n<p>Utopia has acquired the North American rights to a new documentary called <em>Megadoc<\/em>, which is about the creation of Francis Ford Coppola&#8217;s epic film <em>Megalopolis<\/em>. The documentary, directed by Oscar-nominated filmmaker Mike Figgis, will be released in theaters this autumn.<\/p>\n<h2>The Documentary&#8217;s Creation<\/h2>\n<p>The project came about from a random encounter between Coppola and Figgis, who were old friends. Coppola invited Figgis to document the making of <em>Megalopolis<\/em> from the first day of principal photography, giving him unrestricted access to the production. Figgis, armed with a small camera and crew, was able to capture a unique view of Coppola&#8217;s creative process and the making of one of the most ambitious films of his career.<\/p>\n<h3>A Unique Perspective<\/h3>\n<p>&quot;Francis gave me access to everything, including amazing archive material that he had accumulated from the many readings of the script,&quot; said Figgis. &quot;I was more or less free to go where I wanted. The cast was open about the working conditions and how they had to adapt to Francis&#8217;s peculiarities and individual work methods. What a privilege to witness such a moment in film history.&quot; Coppola added, &quot;Mike Figgis shot the creation of <em>Megalopolis<\/em> as he saw it. Interestingly, there are many interpretations of what really happened, and the documentary doesn&#8217;t always show the viewer what to see and interpret.&quot;<\/p>\n<h2>The Film Megalopolis<\/h2>\n<p><em>Megalopolis<\/em> is a project that Coppola has been thinking about for decades. The film is set in a dystopian version of New York City after a major disaster and follows a visionary architect, played by Adam Driver, as he tries to rebuild the city as a utopia and fight against entrenched power structures. The film features an all-star cast, including Forest Whitaker, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia LaBeouf, and Dustin Hoffman.<\/p>\n<h3>A Return to Large-Scale Filmmaking<\/h3>\n<p><em>Megalopolis<\/em> marks a return to large-scale filmmaking for Coppola, who is known for his iconic films <em>The Godfather<\/em> and <em>Apocalypse Now<\/em>. The film was independently financed by Coppola and is an experimental tentpole that explores themes of power, architecture, and utopia.<\/p>\n<h2>The Documentary&#8217;s Release<\/h2>\n<p>The documentary <em>Megadoc<\/em> is produced by Tara Li-an and James Mockoski. Utopia negotiated the deal directly with Figgis&#8217;s independent production company, Red Mullet. Robert Schwartzman of Utopia commented, &quot;Eleanor Coppola&#8217;s iconic feature documentary, <em>Hearts of Darkness<\/em>, gave audiences an incredible look at the making of <em>Apocalypse Now<\/em>. We hope that <em>Megadoc<\/em> will provide a similar insight into the making of <em>Megalopolis<\/em>.&quot;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Utopia Acquires Rights to Documentary about Francis Ford Coppola&#8217;s Megalopolis Utopia has acquired the North American rights to a new documentary called Megadoc, which is about the creation of Francis Ford Coppola&#8217;s epic film Megalopolis. The documentary, directed by Oscar-nominated filmmaker Mike Figgis, will be released in theaters this autumn. The Documentary&#8217;s Creation The project<\/p>\n","protected":false},"author":1,"featured_media":10198,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":{"0":"post-10197","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-film-tv"},"_links":{"self":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/comments?post=10197"}],"version-history":[{"count":1,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10197\/revisions"}],"predecessor-version":[{"id":10199,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/posts\/10197\/revisions\/10199"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media\/10198"}],"wp:attachment":[{"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/media?parent=10197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/categories?post=10197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nanamedia.org\/en\/wp-json\/wp\/v2\/tags?post=10197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}